Sunday, 4 February 2018

Feb 4th 2018 - 1973 - The Sting

1973 - THE STING - Directed by George Roy Hill



Original 1973 Trailer

Screenplay by David S. Ward

46th Academy Awards (Oscars) - 1974


Won
Oscar
Best Picture
Tony Bill
Michael Phillips
Julia Phillips
Julia Phillips became the first female producer to win the Best Picture category.
Best Director
George Roy Hill 
Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced
David S. Ward 
Best Art Direction-Set Decoration
Henry Bumstead
James W. Payne 
Best Costume Design
Edith Head 
Best Film Editing
William Reynolds 
Best Music, Scoring Original Song Score and/or Adaptation
Marvin Hamlisch 
Nominated
Oscar
Best Actor in a Leading Role
Robert Redford 
Best Cinematography
Robert Surtees 
Best Sound
Ronald Pierce
Robert R. Bertrand 
Losing Best Picture Nominees:

American Graffiti (Dir: George Lucas)
Cries & Whispers (Dir: Ingmar Bergman)
The Exorcist (Dir: William Friedkin)
A Touch of Class (Dir: Melvin Frank)

Plot Synopsis

Following the murder of a mutual friend, aspiring con man Johnny Hooker (Robert Redford) teams up with old pro Henry Gondorff (Paul Newman) to take revenge on the ruthless crime boss responsible, Doyle Lonnegan (Robert Shaw). Hooker and Gondorff set about implementing an elaborate scheme, one so crafty that Lonnegan won't even know he's been swindled. As their big con unfolds, however, things don't go according to plan, requiring some last-minute improvisation by the undaunted duo. (Source: Google)

Máire's review: They don’t make them like this any more, which is a shame as it’s wonderful. Redford and Newman excel as grifters out to make a mob boss pay. Strangely enough, I really noticed the lack of a score through the majority of the film. Definitely one to watch. 8.5/10

Golf's review: If you have not seen The Sting and don't know the way the story plays out, then boy are you in for an absolute treat! Even on its 4th or 5th viewing though, this is still a really high class piece of film-making. Newman, Redford and Hill re-teamed for this caper, following 1969's Butch and Sundance and it is a similar mix of utter charm and exemplary plotting and suspense. The long-con caper movie is a great sub-genre and this is the best by far. 10/10 if you're seeing it fresh, 8.5/10 otherwise.

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